In early 2017 I collaborated with No Cure Magazine, an Australian independent magazine focusing on street art, design, music and creative culture. We have a subscription here at the studio... it's a fucking great magazine. And to be asked to contribute directly to the brand was a massive honor. 

I played with the idea of "The blind leading the blind" and how art is so often inspired by other art, inspired by other art, inspired by other art and so on. How we often look to artists for style-guidance, when they're perhaps lost themselves. The 'follow culture' of modern art.

You can buy the shirt from here:

The shirt is below, stunning modelled by fellow-artist Mike Watt.
Photographed by boy-wonder Billy Zammit.

BROKE N STOKED: Canadian Apparel Collaboration

In May 2017 I was asked to contribute some artwork to rad Canadian brand BROKE AND STOKED. The rules were simple... something party-orientated in black and white. And thus the BUZZKILL party-tinny was born, in honour of everyone who's ever shotgunned a beer.

They also included the shirt in some of their 2017 Lookbooks (which have always been fucking rad). If you a fan of dude-art... go check out and follow their amazing brand,

You can buy BUZZKILL at:

TALENT SCOUT: Podcast Interview

In December 2016, I was interviewed by local podcast-heroes, Talent Scout. Over an hour and nine minutes, we talked about everything from how I got started, to my secret love of magic. Lovable hosts Lee and Jaime also point out the smallness of the art-world in Sydney.

I reveal the reasoning for my "French rival" and how to went from a shitty day-job to a full-time artist.
And how I balance my workload and the level of expectation I put on myself. 

You can listen to the podcast on iTunes or on their site.

SPEED DRAWING: Whiskey Rubber Shirt Design

Whiskey Rubber is a company in Canada who make and sell high quality clothing and parts for Harley Davidsons and motorcycles. So obviously when they asked if I wanted to design a shirt for them, I was stoked. 

To make things more interesting, I recorded my computer screen during the process of drawing the shirt. You can see (at hyper-speed) each step of putting it together. 

Buy the shirt here:


SOL INVICTUS: Shirt Collaboration / Q&A.

In November 2016, I collaborated with badass local motorcycle dudes Sol Invictus. They asked me some questions, and I answered them. They featured me and the artwork we made on their blog.

Here's a link to the blog post (I've also pasted it below):

And here's a link to the shirt:

If you've spent any time in Sydney's Inner West chances are you're familiar with illustrator / pirate Sindy Sinn's work. His bold-yet-loose hand drawn style is instantly recognisable and perfectly characterises the fun, creative, laid-back vibe of brands and venues such as The Courthouse HotelMary's and Young Henry's to name a few.

What do you consider yourself as? Artist or designer? 
I consider myself an illustrator. Mostly working in the band, bar and beer aspects of the world. I have a hand-drawn style, which I translate digitally in preparation for commercial-reproduction. So whilst I spend a lot of time at the computer, my artwork has a hand-done feeling to it, which I like. I’ve actively avoided things like rulers my whole life, there’s a lot of character in a wonky line.
To answer the question, I guess I’m sort of neither and both. Maybe more of a drawsigner? At the end of the day, I like to draw fucked up skulls with a cold beer to a soundtrack of sabbath.

How did you get started in the industry?
I’ve always liked drawing, and I got started years ago drawing posters for my mate’s bands. Over time I got better and figured out my process, while the projects and bands I’m involved with have gotten bigger. Working for some huge bands like The Misfits, Kreator and Parkway Drive has opened a lot of doors.
At the moment I run an art-studio in Newtown, and we’re very fortunate to have a great crew around us. Being nice, working hard and knowing when to shut-up can get you a long way in any industry. 

Do you have any artistic / stylistic influences?
Millions. With the internet at everyone’s fingertips, it’s easy to tap into a world of incredible artwork. Artists like Jim Phillips, Sketchy Tank, Tallboy, Burrito Breath, Alex Lehours, Ben Baker and Mike Watt inspire me. 
I think inspiration is one of those things you can really find anywhere if you’re looking for it. You could see someone walking down the street and wonder what’s in their lunchbox, maybe it’s an octopus! From there draw the lunchbox with a slimey-tentacle hanging out of it, maybe a lollypop or a juice-straw stuck to it. And your individual style will dictate how that looks, how detailed it is even down to what colour the tentacle is. Being confident in your style and your process is as important as the ideas you funnel into it. 

You recently collaborated with us on a tee. In your mind what makes a killer collab?
Killer collaborations happen when both parties are onboard and willing to share the experience and the process. I regularly collaborate with local beer-legends Young Henrys, and it’s always a really satisfying experience.
Working with Sol Invictus has been equally amazing. It started with an email which I turned into some sketches. We had some beers over sketches, we made some changes and we massaged into place what became the final design. And I think the result looks fucking rad. I’m proud of the work we’ve done together, we bloody nailed it. Plus the crew down at Aisle6ix Industries did a great job with the print, a killer team from start to finish. 

What would be your dream project? 
I have a list of bands that I’d love to work for… the dream list. Bands like Red Fang, Queens Of The Stone Age and Rob Zombie are on that list. Being given some artistic control on one of their projects is a bit of a wet-dream scenario for me. 
So far I’ve been relatively fortunate to have worked with some dream clients.
Designing shirts for Mambo and The Rolling Stones have both been pretty big ticks on the bucketlist. But at the moment, I’m working on a range of shirts and prints for my own website: 
Making time to work on my own stuff has been really enjoyable (...even if the client’s a bit of a jerk). And if anyone is keen to get their own rad artwork, get in touch. I won’t bite. 


Another year is upon us. Fuck, what happened to the last one!
Just as I get used to writing "2016" on things, it fucking changes. 
I'm also guessing this year many more of my favourite rockstars will die. Bummer.

But, I'm super-excited to get stuck into a new year and some really exciting projects.
Including the launch of a heap of new shirt designs (go check it out).

Twenty fuckin seventeen ... let's do this!



Very excited to announce my first ever debut solo exhibition, WASTED LIFE.  On Wednesday November 9th I'll be taking over the walls of Goodspace, Chippendale. Exhibiting unique and limited art inspired by a life of drinking and self-inflicted decay.

Sponsored by Young Henrys beer and Aisle6ix screenprinting.
6pm til the beer runs out, Wednesday 9th of November. 

Goodspace Gallery. 115 Regent St, Chippendale.



Five-hundred million years ago, I drew two t-shirts for MARY'S.
A collaboration between Newtown's fresh-faced burger-bar and Young Henrys.
The shirts "I GOT FAT" and "EAT, DRINK & BE MARY'S" went on to sell thousands of shirts.

And only recently did I remember recording the onscreen process for it.
So if you're the owner of one of these shirts ... here's where it came from.
Hand-sreenprinted by Aisle6ix Industries onto AS Colour garments. 


THE VOICE / NIVEA: Storyboard Artwork

In May this year, I worked with Now We Collide agency on storyboard artwork for a Nivea and The Voice TV commercial. I was sent a written version of the script, along with some photos of the (at the time unannounced) finalists and studio locations. After breaking down and deciphering the advertising-hieroglyphics, I put together the composition for nearly thirty shots, each one focusing on how the contestants would interact with the Nivea products. 

And whilst it was a lot of work with a fast turnaround, it's really satisfying to see the final result... which I've included a link to at the bottom. 

Some fun facts about me relating to deodorant:

  • I actually use Nivea deodorant, the 48 hour Silver Protect.
  • I prefer roll-on to spray. I don't know why. I just do.
  • Most mornings I attempt to throw the deodorant bottle over my shoulder and catch it behind my back. I catch it about 3 out of 10 times... but regardless, my girlfriend is never impressed by it. 


I'm very honoured to be a part of The Loop's blog, as a featured freelancer. They got in touch with me via email in the week prior and fired seven juicey questions at me about how I got into freelance illustration, my processes, my inspirations and most importantly... what I order at MARY'S. 

If you're in the mood for a quick read, have a look! 

BACK TO WORK: 2016 Here we come!

So I'm officially back at the studio after a relaxing Christmas holidays.
I did all the normal (Australian) holiday stuff ... swam, surfed and sun-baked. 
And now after all that chilling-out, I'm winding back up again and getting into 2016.

After all the holiday-beers, I'm trying to be a good-boy.
Hopefully nobody Snake Eyes Studios touches my delicious fruit. 
If you're looking for artwork, I'm back in the studio... get in touch


THE GREAT WALL: Pyrmont Art-Installation

Collaborating with Buildcorp, Urbanest, Leadlease and Scrimworks... I worked on a 60m wide by 13m high art installation in Pyrmont / Darling Harbour. Without a doubt, one of the biggest public artworks in Sydney this year. 

The almost 800 square-metre wall divides the huge student accommodation construction project, which is next door to the prolific Powerhouse Museum. These shots were taken on the 12th of September 2015, as two cranes installed over 250 pieces of industrial ply.

PEDESTRIAN TV: "Men of many talents"

Fuck, it was a while ago now. 
But on December 2nd 2013, I was included in a blog post on Pedestrian TV. The blog (titled "MEET MEN OF MANY TALENTS" focused on several busy men and I. They wanted to know what made me tick, and enquired about things I do and love outside of illustration.

A lot has changed since then, I'm now full-time freelance.
But on the other hand, I still really love burritos.

Check out the article, otherwise here's my part of it:

Meet Sindy Sinn. We discovered him hanging around some rather derelict brick buildings in St Peters, taking a break from screen printing band shirts. Working for APRA|AMCOS, if you need to know anything about music licensing and copyright, Sindy is most definitely your man. When he’s not thinking about the creative law, Sindy is a freelance illustrator with a penchant for big and bold ‘90s style cartoons (think Ren & Stimpy).
Currently customising a motorcycle helmet (which is rather hard considering it’s like painting a bowling-ball), Sindy needs to keep his hands busy otherwise he feels odd. Aside from that, Sindy is really – and we mean really 
– passionate about burritos. 

MAGIC BONES: Single Cover for 'DANGER I AM

I was recently approached by Melbourne band Magic Bones about doing artwork for their upcoming single 'DANGER I AM'. They sent me a rough-mix of the song (from the studio) and I quickly got sketching up the project. 

Below I've shown, the first and second rounds of sketches. 
As you can see, we went from a one headed skull-dude, to a two-headed skull-dude.
This was to incorporate the two-singer vibe of the band. Including the fact that one of them is a girl (Kiri)... subsequently one of them ended up with a fabulous Kiri hair-do. 

And of course the final artwork.
I'm super proud of how the artwork has a dark, bold and neon feeling.


AIN'T THAT SWELL: Skeleton Hand Illustration

I was recently approached by a good friend of mine Mitch (who owns the coffee-shop Silver Bean in Newtown) about doing a t-shirt illustration. He needed a shaka'ing skeleton hand, with the text 'AIN'T THAT SWELL'. 
"Sure..." I thought. "...we can do that". 

So I spent a while looking at my hand, analyzing the mechanics of a shaka. 
And then I sketched up some skeleton hands, and made the whole thing fit together.


MARY'S: Branding and Illustrations

Over the past year or so, I have been working closely with the owners of Mary's Newtown on their image and branding, starting with the opening of their takeaway CBD store.

We worked on the project from the ground up... from creating a strong and recognisable logo, to developing menus, packaging and a painted-environment to match. From the blaring Motorhead soundtrack, to the smoking hot chicken burgers and foul-mouthed pirate-waiters, Mary's has become a formidable brand with a cult-following. 

I'm honoured, pleased and excited to be working with the boys on the launch of their next (few) upcoming projects. And look forward to sharing the imagery and artwork that's to come. 

In the meantime, get yourself to Mary's Newtown or CBD and have one of the best burgers in Sydney. 

#getfat #hailsatan



FLASH SALE: A2 Grim Reaper Screenprints

So, the other weekend I had a flash-sale, exclusively from my online store.
Hand-printed A2 Grim Reaper Screenprints, for $25 ... with free postage.
I don't know what I was thinking. I must have been nuts!

The sale has ended now, but I still have stuff for sale in my store.
Thank you everyone who bought a poster, you guys rule! 

Reaper a2 screenprint
The first round of pen and pencil sketches. 

The first round of pen and pencil sketches. 

GUTTERMOUTH: Australian Tour Poster 2015

So on the back of the CJ Ramone tour poster, I had another knock at my door.
This time, the Californian skate-punk beer-guzzling Guttermouth! Which is pretty rad, I remember buying their 2001 'Covered In Ants' album when I was in highschool (year 9 I think). 

Anyway, they were in need of a tour poster, I cracked out the markers and filled a page with everything I knew about the project. And in the interest of sharing (and full marks), I've shown the page so you can see how my brain works. 

As well as the tour posters, I was also super stoked to put together some limited edition Guttermouth skateboards. Sweet project, a rad tour and super stoked to have been a part of it.

Guttermouth Poster Sketch
Guttermouth Tour Poster
Guttermouth Instagram

BAD FRIDAY: Poster Artwork 2015

The rad legends at the Vic On The Park got in touch ... I love it when they touch. 
And they had an event coming up for Good Friday, called Bad Friday. Get it...?
They needed a poster. I drew a poster. And now we all have posters! Yay posters!

In the interest of being fancy, I also scanned in my project notes and sketch. 
As you can see, I usually just explode everything onto paper and spill shit everywhere. 
Really stoked with how this one came out. Badass biker skeleton... sick.

Bad Friday Poster
Bad Friday Sketch

CJ RAMONE: Australian Tour Poster 2015

I was very honoured to be able to contribute to CJ Ramone's upcoming Australian tour. 
My beat-up and battered Ramones skull is going to be used as some gigposter artwork. 
Mondo Bizarro and Brain Drain are some of my favourite Ramones albums. 
And of course not to mention his solo album Bad Chopper. 

So I was very excited. I cranked up the stereo and smashed it out. 
Here is the finished result ... and I've included the sketches from throughout the process.

CJ Ramone FB
CJ Ramone Sindy Sinn Shirt
CJ Ramone Poster Signed
CJ Ramone Sindy Sinn